The Not Knowing

London, March 1992. Nearly a year after the release of Brit noir sensation, Bent, the capital is still in the grip of its cultural and stylistic impact. Diana K... » 

London, March 1992. Nearly a year after the release of Brit noir sensation, Bent, the capital is still in the grip of its cultural and stylistic impact. Diana Kemp, journalist on the alternative arts magazine Lux, is dismissive of the film's cult following but admires the technique of its debut dir «